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GPF to focus on proper use of roadways

first_imgThe Guyana Police Force (GPF) is in the process of launching Road Safety Week 2018, aimed at paying key attention to the use of the roadways by pedestrians, motorcyclists and drivers.Speaking with media operatives, Deputy Superintendent Dennis Stephen related that the activity will be launched on November 25 to save as many lives as possible.“On the 25th of November, we will be launching our Road Safety Week with the theme: ‘stop accidents before they stop you; be alert, accidents hurt’.”His advice to all road users is, “We’re imploring all road users to use the road with care, observe the traffic and that will be able to save lives on our roadway.”The United Nations is known for its observance of World Day of Remembrance for Road Traffic Victims on the third Sunday in November. On that day, the National Road safety Council of Guyana will be hosting a walk in tribute to those who wouldA damaged car following a recent accidenthave died.Coordinator Ramona Doergen indicated that this day is also celebrated to acknowledge medical personnel and first responders who are tasked with providing services at the scene of an accident.“It’s not just for people that die on the roadway. It’s for people who go out on the crash sites, the media, Police [and] doctors. We want to encourage persons to come out under the theme “Roads have stories, let’s make it happy endings,” she said.The GPF had disclosed that up to October 11, 2018, there were a total of 90 road fatalities, with September accounting for a shocking 22 deaths.There were decreases in serious, minor and damage accidents, with 31.5 per cent (184 cases against 269 last year), 46 per cent (21 against 405 cases) and 27.1 per cent (526 against 722) respectively.However, pedestrians were once again named as the main category of road users killed, with 31 such persons having lost their lives at the end of September. Car occupants followed with 20 cases, then pedal cyclists with 15 cases, and motorcyclists with 11 cases.Four drivers were killed and one pillion rider, while two minibus occupants and two persons towed on bicycles also lost their lives on the roadways.The Police chose to highlight that speeding continues to be the major contributing factor to road accidents, causing 36 of the fatal accidents that occurred during those nine months. This is trailed by inattentiveness with 16 cases, drunk driving with 12 cases, pedestrians crossing in the path of approaching vehicles with eight cases, and one case of failure to confirm to road sign.These alarming numbers gives an additional reason why persons should adhere to traffic signs and obey speed limits on Guyana’s roadways.last_img read more

DELAY IN INISHOWEN DEATH CRASH CASE ‘SIMPLY NOT GOOD ENOUGH’ – JUDGE

first_imgA JUDGE has said delays in the trial of a man accused of causing the death by dangerous driving of eight people in County Donegal were ‘simply not good enough’ when the case was called at Letterkenny Circuit Court today.Shaun Kelly (24) from Hill Road, Ballymaggan, Buncrana, (above) appeared today after the case was adjourned last week to allow the DPP to identify a psychologist to carry out an assessment of him.However prosecuting counsel Patricia McLaughlin said the psychologist identified by the DPP was no longer providing assessments for court. She said the State had made extensive enquiries since Judge Keenan Johnson had adjourned the case a week ago.Two experts at the Beaumont Hospital in Dublin had been identified but the State had been unable to contact them despite phone calls and letters being sent.Judge Johnson said the delay in finding an expert was “simply not good enough.”He ordered the DPP to find an expert by Thursday.The judge also said the expert should be in a position to carry out a psychological assessment “within seven to ten days” of this Thursday to allow a fitness to plea hearing to take place.Judge Johnson said it “just beggars belief” that the case was continuing to “drag” on.Ms McLaughlin said the State had only received medical reports from the defence before last week’s hearing.She said she wanted to “apologise to the court” for the delays.Judge Johnson adjourned the case until Thursday.The men who died in the crash in Clonmany, Co Donegal, on July 11th, 2010 were Hugh Friel (66), Urris, Clonmany, Eamon McDaid (22)of Ballymagan, Buncrana; Mark McLaughlin, (21) of Ballinahone, Fahan; Paul Doherty (19), of Ardagh, Ballyliffin; Ciaran Sweeney (19), of Ballyliffin; PJ McLaughlin (21), of Rockstown, Burnfoot; James McEleney (23), of Meenaduff, Clonmany and Damien McLaughlin (21), of Umricam, Buncrana.DELAY IN INISHOWEN DEATH CRASH CASE ‘SIMPLY NOT GOOD ENOUGH’ – JUDGE was last modified: April 8th, 2014 by John2Share this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)last_img read more

Bumgarner remains elite at home, Yastrzemski matches a Cepeda feat in Giants win

first_imgSAN FRANCISCO — Madison Bumgarner has heard he’s past his prime. He’s been told he’s regressing. At 30, his best years are supposed to be behind him.Inside the Giants’ waterfront ballpark along the shores of McCovey Cove, you’d never know Bumgarner is anything other than elite.The Giants ace continued an extended run of impressive starts with another dazzling outing at home in a 8-3 win over the San Diego Padres on Friday.With seven innings of one-run ball, Bumgarner earned his 60th career …last_img read more

Time for some “defensive driving” with cattle production

first_imgShare Facebook Twitter Google + LinkedIn Pinterest By John Grimes, Ohio State University Extension Beef CoordinatorThe term “defensive driving” may seem like an odd choice of words to start an article about beef cattle. Stay with me on this one. When I think about defensive driving, I think about watching out for factors such as the surrounding traffic, weather conditions, time of day, driver fatigue, etc. and how they may affect your ability to travel safely from point A to point B. How does this concept relate to beef cattle production?As we are in the midst of changing both weather and production seasons, now is the time to be analyzing your animals and the environmental conditions around them to make important management decisions that can impact your operation for the short- and long-term. Most of you are painfully aware that the beef herd has faced many challenges through the winter of 2018-2019. As we move into spring with green grass and warmer temperatures, do not get lulled into a false sense of security that any problems we have been experiencing are going to magically disappear.We fully realize the current situation. We have experienced months of cold, wet conditions that have resulted in excessive amounts of mud. Unless you have had a laboratory analysis of the forages fed your herd through the winter, we have to assume that forage quality of hay supplies is sub-par. Excessive moisture in the spring and early summer of 2018 simply did not allow for the timely harvest of forages to generate high quality feed. Based on my observations and conversations I have had with producers, veterinarians, and other industry representatives, the weather and feed quality has resulted in large numbers of cows in thin body condition and significant health issues in baby calves.A large portion of this year’s spring calf crop is on the ground and the remainder will be soon delivered. Most cows are in late gestation or the early stages of lactation. Once calving season is complete, the cows must be in body condition score 5-6 (on a 9-point scale) to achieve acceptable conception rates and deliver a healthy calf next year. All of this sounds like business as usual. I fear that the current environment and animal status will make it extremely difficult to achieve conception rates of 90% or higher.Changing seasons does not automatically improve the situation. Much like producers, cows have grown tired of seeing marginal hay and excessive mud over the past several months. All parties are anxious to see green grass and more solid footing. Early season grass growth may be high in quality but it will be difficult for cows to consume enough nutrients as lush pasture is low in dry matter. Keep in mind that many pastures have been damaged due to animal traffic through the winter. The high moisture content of young grasses and potentially thinner stands will make it nearly impossible for typical stocking rates to meet their nutritional needs.Producers should honestly evaluate animal body condition and current feed resources to take appropriate action to minimize long-term production issues. Maintain cows in sacrifice areas or in dry-lot situations as long as possible to avoid over-grazing early season pastures. Unless you have a supply of grass-legume mixed hay that is at least 10% crude protein and Total Digestible Nutrients (TDN) of 55% to 60%, be prepared to do some type of grain and/or protein supplementation. Do not ignore the benefits of feeding a high quality, well-balanced mineral as well.A 1,200-pound lactating beef cow needs 3 pounds of protein and 17.6 pounds of TDN. Under good environmental conditions, she can eat 2.5 percent of her body weight as dry feed or 30 pounds. If the diet contains 10 percent protein and 58 percent TDN, the cow eats 3 pounds of protein and 17.4 pounds of TDN, almost exactly what she needs. Bigger cows will obviously require more nutrients. A 1,400-pound lactating beef cow needs 3.5 pounds of protein and 20.5 pounds of TDN.last_img read more

Google Starts To Censor Torrent-Related Search Queries

first_imgTags:#Google#NYT#p2p#web 8 Best WordPress Hosting Solutions on the Market Top Reasons to Go With Managed WordPress Hosting A Web Developer’s New Best Friend is the AI Wai… Related Posts Searching for file-sharing information via Google is going to take a little bit more effort now, thanks to new steps taken by the search engine to remove all sorts of references to torrents from its instant search and autocomplete features.In December, Google said it was taking steps towards “making copyright work better online.” Among other things, it promised that “terms that are closely associated with piracy” would no longer appear in autocompletes. Although it may be seen as an effort to crack down on illegal file sharing, the move is a troubling one, particularly for those who provide BitTorrent services. No surprise, these companies are quick to point out that there are many legitimate uses for torrents. audrey watters Why Tech Companies Need Simpler Terms of Servic… Forbidden from Autocomplete Arbitrarily?Part of the problem with this new implementation, as TorrentFreak noted when it broke the story, the list of banned terms is “seemingly arbitrary.” No version of the word “torrent” will work for instant search – neither the software “uTorrent,” nor “BitTorrent,” the name of a protocol and a San Francisco-based company. But while the cyberlockers RapidShare and Megaupload are now forbidden, other sites like HotFile and MediaFire are not. Furthermore, you can still find the names of other popular torrent sites, including The Pirate Bay.TorrentFreak cites a response from RapidShare, who say that “We knew about Google’s plans for quite a few weeks now. We embrace that certain search suggestions will not put a wrong complexion on RapidShare anymore, but we are concerned that at the same time the legitimate interests of our users will also be affected.” The company adds that “RapidShare is one of the most popular websites worldwide. Every day hundreds of thousands of users rely on our services to pursue their perfectly legitimate interests. That is why Google has obviously gone too far with censoring the results of its suggest algorithm. A search engine’s results should reflect the users’ interests and not Google’s or anybody else’s.”For now, you can still search for torrent information. While your search queries won’t autocomplete, the results aren’t censored. Yet.Image credits: TorrentFreaklast_img read more

Editing Your Own Films? Here Are 5 Guidelines You Need To Follow

first_imgWith such easy access to video editing apps, many indie film directors are doubling as editors on their own productions as a means to streamline their creative process, but ultimately are coming up short when it comes time to deliver a final cut.In many ways, it would seem that as a director it would be ideal to edit your own material. After all you want to have as much creative control as possible during the filmmaking process, so why should that stop in the editing room? This may seem like a good idea, but the truth is that many directors that edit their own work (even those that have a fantastic editing background) run into lots of issues along the way. More often than not, these problems aren’t a result of the director not being a “good” editor, but rather being too close to the film. The 5 tips that I’ve outlined below will help you immensely if you’re a film director (or producer for that matter) that is planning on editing your own material.Wait Before You EditOnce you’ve got your film in the can, it’s tempting to just dive right in and start cutting it right away. There are probably certain scenes that you really want to sink your teeth into, or sequences that you’re eager to start rough cutting to make sure that they work together. As much as you may want to go ahead and do this, it’s actually one of the worst things that you can do for your creative process.As the director you have just spent weeks or months shooting a film very intensely, and likely spent even longer prepping and writing (or working the writer) before hand. By the time you’re ready to actually edit your film you are going to running on fumes, and you definitely don’t want to make creative decisions when you’re not in the right head space. If you’re able to take a little bit of time away from the material (even a week or two), when you come back to it, you are going to be in a much better headspace to actually do great work. You won’t see all of the little problem areas that you would have been looking for if you just came off of set, and you will have had enough time to let the story and idea percolate a bit and unfold more organically.Don’t Ask For Opinions (Too Early On)As you edit your film you’re going to experience emotional highs and lows, and when you hit those low points you may start to question the choices you’re making creatively. When this starts to happen, it’s enticing to start asking others to take a look at early assembly cuts and seek out notes and guidance from them in hopes that it will help to get you through some of the rough patches. I highly advise against this.You need to remember that a rough cut is just your starting point and in all likelihood it will look absolutely nothing like the finished product, so it’s completely okay if there are problem areas with it. Your goal with the first assembly/rough cut should just be to lay down the foundation, and not to start finessing every last detail yet. You don’t need to freak out if certain elements just aren’t gelling right away. At this early stage, if you do ask for insight from close friends or colleagues, chances are that you will not receive honest feedback. Someone might give you a standing ovation on a rough cut (not being entirely honest of course), which misleading to you as it may give you a false sense of satisfaction, and won’t push your limits as a filmmaker.On the flip side, getting negative feedback too early on (by showing an unfinished cut to someone that doesn’t understand the editorial process) can cloud your vision before you’ve even figured out the exact direction your film is going in. Just remember that there is a time and a place for notes, but you need to wait until your film is in decent shape before asking for realistic and honest criticism.Use Software You’re Comfortable WithEveryone has an opinion in the world of video production and filmmaking, and this sentiment is certainly true when it comes time to pick your NLE (editing system). At the end of the day, you need to work with the software that you are most comfortable with, so you can spend more time focusing on the creative process and less time troubleshooting issues with the software. Any major editing program can work beautifully for an offline edit, so don’t buy into the hype that you need the latest version of Premiere Pro or Final Cut Pro X in order to cut your film well. A great editor could use iMovie to cut their film, and you would never know the difference – so use whatever tool is going to give you the best creative result.Work BackwardsThis is a strategy I have found extremely effective when I edit my own films. When I go through shots, I tend to work backwards and review the last takes, first. Instead of sorting through the takes in the order they we’re shot, I understand that the last takes are usually the best ones in terms of performance. By sorting through takes this way, you will save yourself a ton of time and frustration that normally comes along with weeding out all of the bad takes first. With that said, you still want to do some digging of course to make sure that you aren’t missing some gold in there – but from my experience 9 times out of 10, the best take is the last or second to last that was shot on set, so keep that in mind as you go along.Exercise Your Creative LibertiesThere are three versions of the story with any film – the one that is written, the one that is shot and the one that is edited. Just like how you can rewrite your script, or make changes on set that will affect the overall tone and texture of your film, the same amount of reworking can be done in the editing room. Many directors feel that they need to work alongside their script and simply cut their film almost robotically to the screenplay. I would always advise against sticking too closely to the script, and instead allowing yourself to take some creative liberties throughout the editing phase. For instance, two scenes may feel redundant next to each other once you watch them back in the context of the film, and you may be better served by cutting one completely. Or in another situation you may find that certain lines that worked on the page and on set don’t seem to translate that well to the context of the edit. In a more dramatic scenario, you may even consider changing the order of certain scenes to help build tension.Whatever the specific change may be, stay open to any and all possibilities when editing so you maintain a creative process as opposed to a strictly technical one.last_img read more

XXX energy for SRK’s IPL team!

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2nd ODI: Williamson, bowlers script New Zealand’s first win on Indian tour

first_imgCaptain Kane Williamson struck the first hundred for New Zealand on their tour of India to set up a thrilling six-run victory in the second one-day international and end his side’s winless run. (SCORECARD | BALL-BY-BALL COMMENTARY)Chasing 243 for victory, the hosts were reduced to 183 for eight in the 41st over but all-rounder Hardik Pandya (36) and number 10 batsman Umesh Yadav (18 not out) added 49 for the ninth wicket to take their team close.But Pandya fell in the penultimate over and then Tim Southee bowled out last man Jasprit Bumrah in the final over for his third wicket as India folded for 236 with three balls to spare. (Mahendra Singh Dhoni blasts batsmen after Kotla defeat)The 26-year-old Williamson, New Zealand’s batting mainstay, hit a measured 118 off 128 balls to anchor his team’s innings after India captain Mahendra Singh Dhoni won the toss and opted to field.Williamson’s eighth ODI hundred had put New Zealand on course for a big total but the hosts, who won the first match of the five ODI series after blanking the tourists 3-0 in the tests, pulled things back brilliantly in the last 10 overs. (India vs New Zealand, 2nd ODI: This is how Williamson, Southee derailed India at Kotla)The skipper added 120 for the second wicket with Tom Latham (46) after New Zealand had lost Martin Guptill without scoring in the opening over but the side could manage only 40 runs for the loss of six wickets from their final 10.Paceman Bumrah and leg-spinner Amit Mishra picked up three wickets each for the hosts. (New Zealand win second ODI against India: In pictures)advertisementIndia’s chase got off on the wrong foot in the face of some disciplined bowling by New Zealand who picked up wickets at regular intervals to put pressure on the batsmen.Dhoni (39) and Kedar Jadhav (41) steadied the innings with a 66-run stand for the fifth wicket after the side had been reduced to 73 for four in the 20th over.But after Dhoni fell to a superb one-handed return catch by Southee, the chase seemed to be out of India’s reach.New Zealand’s grip on the match tightened after Axar Patel and Mishra fell in the same over to Guptill’s part-time off-spin before Pandya, the player of the match in the first ODI, and Yadav took India to the brink.The third match of the five-ODI series will be played at Mohali on Sunday.last_img read more